Actor’s Toolkit (undated) A guide to Jacques Lecoq for actors: from movement to magic. West Midlands: Actor’s Toolkit. Available from actorstoolkit.co.uk/a-guide-to-jacques-lecoq-for-actors-from-movement-to-magic/ [accessed 28 October 2024].

Arlinghaus, K.R. and Johnston, C.A. (2018) The importance of creating habits and routine. American Journal of Lifestyle Medicine, 13(2) 142-144. Available from pmc.ncbi.nlm.nih.gov/articles/PMC6378489/ [accessed 28 October 2024].

Brewer, N.M. (undated) About me. Washington, D.C.: Nicole M. Brewer. Available from nicolembrewer.com/about-me [accessed 28 October 2024].

Caine, M. (1997) Acting in film: an actor's take on moviemaking. New York: Applause Theatre Books.

Currey, M. (2013) Daily rituals: how artists work. New York: Alfred A. Knopf.

Gender and Sexuality Dictionary (2018) Positionality. Dictionary.com. Available from dictionary.com/e/gender-sexuality/positionality/ [accessed 28 October 2024].

Mahoney, K. and Brown, R. (2013) Devising and interdisciplinary teaching: a case study in collaboration between theatre and humanities courses. College Teaching, 61(4) 143-149. Available from jstor.org/stable/24760599 [accessed 28 October 2024].

McDonagh, M. (2003) The pillowman. New York: Dramatists Play Service.

Medway, A. (2024) More information for my IRP [email]. Sent to C. Clay, I. Pitic and S. Salan, 24 June.

Merlin, B. (2001) Beyond Stanislavsky: a psycho-physical approach to actor training. London, Nick Hern Books.

National Theatre Institute (undated). National Theatre Institute. Waterford: Eugene O’Neill Theater Center. Available from nationaltheaterinstitute.org/nti [accessed 28 October 2024].

Neal, D.T., Wood, W. and Quinn, J.M. (2006) Habits: a repeat performance. Current Directions in Psychological Science, 15(4) 198-202. Available from jstor.org/stable/20183111 [accessed 28 October 2024].

Simons, H. (2009) Case study in research practice. Thousand Oaks: SAGE Publications.

The Actors Space (undated) Our teaching. Barcelona: The Actors Space. Available from actors-space.org/about-actors-space/actors-space-teaching/ [accessed 28 October 2024].

Wilde, O. and Williams, K. (2024) The picture of Dorian Gray [live performance]. Performed by Sarah Snook. London: Theatre Royal Haymarket, 10 May.

Yates, S. (2024) Vanya [filmed live performance]. Performed by Andrew Scott. National Theatre Live.

Zarrilli, P.B., Daboo, J. and Loukes, R. (2013) Acting: psychophysical phenomenon and process. Hampshire: Palgrave Macmillan.

Budelmann, F., Maguire, L. and Teasdale, B. (2016) Ambiguity and audience response. Arion: A Journal of Humanities and the Classics, 23(3) 89-114. Available from jstor.org/stable/arion.23.3.0089 [accessed 28 October 2024].

Case, S. (2009) Feminist and queer performance: critical strategies. Hampshire: Palgrave Macmillan. 

Clement, O. (2017) Why Phillipa Soo relishes originating roles. New York: Playbill. Available from playbill.com/article/why-phillipa-soo-relishes-originating-roles [accessed 28 October 2024].

Etherington, K. (2004) Becoming a reflexive researcher: using our selves in research. London: Jessica Kingsley.

Glaw, X., Inder, K., Kable, A. and Hazelton, M. (2017) Visual methodologies in qualitative research: autophotography and photo elicitation applied to mental health research. International Journal of Qualitative Methods, 16 1-8. Available from journals.sagepub.com/doi/pdf/10.1177/1609406917748215 [accessed 28 October 2024].

Klaic, D. (2012) Resetting the stage: public theatre between the market and democracy. Bristol: Intellect.

Overlie, M. (2016) Standing in space: the six viewpoints theory and practice. Billings: Artcraft Printers.

Peck, L. (2021) Act as a feminist: towards a critical acting pedagogy. Oxfordshire: Routledge.

Radbourne, J., Johanson, K., Glow, H. and White, T. (2009) The audience experience: measuring quality in the performing arts. International Journal of Arts Management, 11(3) 16-29. Available from jstor.org/stable/41064995 [accessed 28 October 2024].

Stevenson, K. (2013) Creative river journeys: using an a/r/tographical framework for a multifaceted PhD project. Unesco Observatory Muti-Disciplinary Journal in the Arts, 3(2) 1-25. Available from researchgate.net/publication/275964432_Creative_River_Journeys_Using_an_a_r_tographical_framework_for_a_multifaceted_PhD_project [accessed 28 October 2024].

The Hollywood Reporter (2022) Actress roundtable: Jennifer Lawrence, Michelle Yeoh, Emma Corrin, Michelle Williams & more [video]. Available from youtube.com/watch?v=XRYAh4Ek04A&list=PLhKcXp78wsav5hT_0KfjxZuLZupJGlfu6&index=27 [accessed 28 October 2024].

Wilson, H.R. (2012) The director of devised theatre: facilitating, collaboration, ownership and empowerment. MPhil(R). University of Glasgow. Available from theses.gla.ac.uk/3382/1/2012WilsonMPhil.pdf [accessed 28 October 2024].